Starting things off is Boris Sagal‘s “ The Cemetery“, one of Serling’s scariest creations. The eponymous location was also more minimal in appearance and space than the one seen in the eventual series. The 1969 telefilm was essentially a pilot with an unmistakable format several self-contained stories linked by Serling’s insightfully creepy narration. Be that as it may, Serling and Lupino set a high standard for Twilight Zone at its most morbid and unkind.īefore Rod Serling’s Night Gallery became a full-fledged series, it began as an anthology TV-movie. They feel like caricatures who some might not feel are entirely deserving of their punishment. Serling works so hard at emphasizing the episode’s cautionary aspects that he overlooks its characters. It is the idea that people’s grossest flaws can become permanently externalized that shakes viewers to their core. Of course the chance of a mask rendering someone’s face monstrous is impossible.
The outcome of this harsh parable has been etched into minds old and young because they understand its significance. They live to regret his unusual demand.īy now, everyone probably knows the twist of “The Masks”.
Before the eldest Foster passes on, he requests his family members each wear a grotesque mask until midnight. His relatives are as selfish and money-grubbing as they come, and soon their behavior will be judged. Set on the night of Mardi Gras, “The Masks” centers on a dying old man, Jason Foster ( Robert Keith), who ‘welcomes’ his family into his home for one last gathering. The story, directed by Ida Lupino, remains a classic for very good reasons. Rod Serling exposed one clan to a cruel fate in the iconic Twilight Zone episode “ The Masks“. Greediness almost always leads to downfall in horror, and families are not spared from this moralistic lesson.
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The characters in this collection of TV anthology tales can attest to that opinion. So as much as family can be a blessing, it can often feel like a curse. Of course no one has the perfect parent or sibling relationship, but certain circumstances in horror make them more strained than usual. The horror genre regularly tears down the walls of what is deemed normal, and nothing screams “normal” like a nuclear household. Demons, ghosts, and monsters do not instill fear anywhere as much as a terrible family can. With anthologies becoming popular again, especially on television, now is the perfect time to see what this timeless mode of storytelling has to offer.Īt the heart of horror is family.
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Specifically, it takes a closer look at five episodes or stories - each one adhering to an overall theme - from different anthology series or the occasional movie made for TV. Series of Frights is a recurring column that mainly focuses on horror in television. Watch a promo teaser for next Tuesday’s second-to-last episode below! But what exactly is Chucky’s end game and what can we expect from these final two episodes? Meanwhile, the kids desperately try to figure out Chucky’s mysterious endgame–before it’s too late.”Ĭhucky has begun brutally killing off the parents of the show’s teenage characters, while Tiffany and Nica-Chucky form a surprising new bond and Andy and Kyle from the original two Child’s Play movies continue to hunt down and terminate possessed Chucky dolls. “As Hackensack reels from Chucky’s relentless–but secret–reign of terror, the Mayor tries to allay fears by cluelessly arresting an innocent suspect.
Next week’s episode is titled “ Twice the Grieving, Double the Loss.” Just two more episodes remain in the show’s debut season, with the penultimate episode of the first season coming to SYFY and USA on November 23. Don Mancini’s “Chucky” series just keeps getting wilder on the road to the Season 1 finale, which is fast approaching.
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